So what’s this topic got to do with church music, or cantor ministry? Quite a lot, actually.
As readers who follow my blogs and my music will know, I have Noongar Yamatji (Western Australian) and Gundangurra (NSW) indigenous heritage. In October 2016, I was recommended for and awarded a mentored Composition internship under the Australian National University / Australian Music Centre / APRA AMCOS Indigenous Composers Initiative (ICI) Program. Since then, I’ve been composing a series of pieces on Australian indigenous themes. All of my ICI indigenous compositions have church-related content, whether liturgical, or social justice related. In that that sense, they are a continuation of my church music ministry, but unconfined by an institution that has been inexcusably reluctant to recognise, appropriately value and promote the unique, indisputable, all-pervading presence of the many cultures of Australian indigenous music and musicians that have resounded since time immemorial, throughout our vast continent.
Church music is not Ensemble Offspring’s usual bill of fare, but virtuoso vibraphonist Claire Edwardes and her talented colleagues welcome all genres of new music, by any composer who’s willing and able to explore contemporary music making in any genre. This group Workshopped some of my compositions on February 25 at Eora Aboriginal College. On June 22 the five intern ICI Composers – Brenda Gifford, Troy Russell, Timothy John Edward Gray, Rhyan Clapham and myself – gathered at ANU Canberra to hear our compositions recorded at the ANU School of Music Studio. It’s fair to say that all of our indigenous compositions have strong spiritual elements. Christopher Sainsbury of ANU School of Music, Kevin Hunt of Sydney Conservatorium, and John Davis, CEO of the Australian Music Centre, have encouraged and supported the ICI Composers throughout the Program.
At 6.00 pm this Thursday at Eora Aboriginal College, 333 Abercrombie Street, Chippendale, Ensemble Offspring will premiere my three movement instrumental Kooranginy Suite, as part of the 2017 ICI Premiere Concert. Kooranginy includes my musical setting of the Aboriginal Noongar Prayer text. The Noongar Prayer is a translation of the Our Father prayer into Noongar, the Aboriginal language of South West Western Australia. My Kooranginy setting of this prayer text (entitled Walken Rainbow) will be performed without words to symbolise the years of enforced cultural silencing endured by Noongar people, and the suppression and exclusion of Aboriginal languages in Australian missions and churches. Over many years the Noongar Language of Western Australia has slowly been reconstructed and revived, and is now taught in Western Australian schools. Recently, due to the dedicated work of many Noongar Elders and researchers, including (among others too numerous to mention) Father Bernard Rooney of New Norcia Abbey, Kylie Farmer, Gina Williams and Clint Bracknell, Noongar speech, stories, poetry and songs are re-emerging.