The effect of globalisation on Australian Church music has been as dire as its effect on that Aussie icon, Vegemite. Although many talented Australian composers continue to produce uniquely Australian Church music in many genres, Australian Church music governing bodies and clergy pay minimal or no attention to local Australian Church music. In Australia, Church music licensing is dominated by globalised corporations who promote non-Australian Church music over the work of local Australian composers. Australian Church music directors have seldom resisted pressures to eliminate all but a few token Australian Church music compositions from Australian parish repertoires. Many Australian parish music programs promote backward-looking or entirely non-Australian music repertoires and genres. Infusions of forward-looking, hopeful, creative, uniquely Australian musical expressions of Christian faith are rare, ephemeral, and untaught. For insight into why this has happened, read Jeffrey Tucker’s 2002 article about a multinational corporate Church music publisher whose policies and business ethics is not in tune with Christian beliefs, principles or practice (see link below) http://www.crisismagazine.com/2009/the-hidden-hand-behind-bad-catholic-music The globalisation of Church music is also discussed in depth by a shocked Richard Barrett on the Orthodoxy and Heterodoxy (Orthodox Christian) blog – http://orthodoxyandheterodoxy.org/2013/01/29/the-hidden-hand-behind-bad-music-could-it-happen-here-american-catholic-worship-and-orthodoxy-in-america/
Archive for February, 2013
Even in Church music, the smart phone app has its uses. Church music geeks compose and make music online as well as in real time, with human hands and feet and eyes and ears and voices.
The phenomenon of the virtual choir (if you don’t know about this, google Eric Whitacre) has blown preconceptions about tying Church music to a particular time and place, sky-high. Whatever the virtues of real-time interaction (which are unsurpassed, and should never be discounted), as Church musicians we are now stuck with the digital app addictions of the upcoming generation for a long time.
In cyberspace there’s an app for every task you can possibly imagine. Enterprising Church musicians design and market Church music apps, thereby solving their income problems forever. Apps help with a specific task, and can be uploaded to smart phones or computers quickly, and used immediately. For instance, I have a virtual piano keyboard on my iPhone that I use for composing.
This is not an app marketing blog, but I believe in giving credit where credit is due. From time to time I’ll be reviewing Church music apps (e.g. ear training apps, chant databases, music theory apps) that I’ve found helpful and time-saving. Make your own judgements!
App-phobia has crept into the mindset of many Church musicians who
- obsessively photocopy, distribute, retrieve and file print scores
- don’t own a smart phone, or are computer-phobic
- believe that Church music could never be improved by technology
- devote no time to app discovery and selection
- think that rehearsing well, with no technology aids, is sufficient
Changing deep-set attitudes like this takes miracles. Hang on, Christians believe in miracles!
If you have a music director that insists on making his and your job as difficult as possible by refusing to adapt to digital technology and app networking, or doing a go-slow on this,it might help to pray loudly and publicly about it.